La Virtu et la volupté. Models for the Actress in Early Modern Italy and France
Identifieur interne : 000A38 ( Main/Exploration ); précédent : 000A37; suivant : 000A39La Virtu et la volupté. Models for the Actress in Early Modern Italy and France
Auteurs : Virginia ScottSource :
- Theatre Research International [ 0307-8833 ] ; 1998.
Abstract
In 1982 Ferdinando Taviani proposed in Il segreto della commedia dell'arte that the earliest known actresses in Italy may have been drawn from the ranks of the courtesans, the oneste meretrici, forced from Rome after the Council of Trent (1545–63) by papal reforming zeal. This hypothesis has been affirmed by several other scholars in Europe and the United States and is becoming widely accepted not just as a feasible theory but as gospel, the exclusive conduit through which women entered the western theatre.
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DOI: 10.1017/S0307883300018496
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